Those Who Walk in Darkness

THOSE WHO WALK large banner640
Authors Joyce and Jim Lavene are revisiting my blog today to talk about their newest release, Those Who Walk in Darkness. Welcome back!

Author photo for Gone by MidnightWhy do you write cozy mysteries?
I like to write about criminals getting their comeuppance and not thinking about all the gore that goes into other type of mysteries.

Please tell us about your book. What ideas or images inspired this novel?
My daughters worked at Pinkerton and brought home a video of how the company began. Then Joyce and I thought what if and it took off from there.

Do you have an ideal reader in mind when you write? If so, please describe that reader.
I guess any author would like a reader to enjoy what they write and want to read all of their books.

Please describe your writing routine.
I start out at six writing for an hour. Eat breakfast then take the grandkids to school. When I get back I make a latte, then write until noon. After that it’s basically revision time and promo work.

What advice do you give new writers just starting out?
Know what you want to write and be persistent about it. Never give up on your dream. If you want it bad enough, you will achieve it.

More about Those Who Walk in Darkness:
Three years ago, Julia Jackson was a well to do young woman from Boston whose fiancé, Jonathon, was killed right before her eyes. Obsessed with finding the killer, a man whose face she saw only in a flash as he walked up and shot Jonathon, she leaves her family and her life behind. She starts a new life as ‘Jacks’ Jackson—a cigar smoking, dead eye, female Pinkerton agent…pretending to be a man.
THOSE WHO WALK IN DARKNESS cover artNow Allan Pinkerton needs Jacks to find the man who kidnapped the wife and son of a railroad official, David Boyd. Their only clues are the severed finger from the man’s wife, complete with wedding ring, and a map of the Qualla boundary, the Cherokee reservation in North Carolina.
Jacks doesn’t like the way the whole thing sounds from the beginning. David Boyd isn’t important enough to target for a kidnapping. And why travel so far with two hostages?
But Pinkerton tells her that he believes the man responsible for the kidnapping worked with Jonathon’s murderer in a train robbery five years ago. Jacks agrees to go after the kidnapper with hopes of catching him before he can reach his home grounds.
Pinkerton insists that Jacks bring three men with her—Boyd, her new partner, and a Cherokee guide named Running Wolf, who’s always watching her, like he’s trying to figure it out.
Can Jacks catch the kidnapper with her secret — and her life — intact?

Joyce and Jim Lavene write award-winning, bestselling mystery fiction as themselves, J.J. Cook, and Ellie Grant. They have written and published more than 70 novels for Harlequin, Berkley, Amazon, and Gallery Books along with hundreds of non-fiction articles for national and regional publications. They live in rural North Carolina with their family.

Webpage – http://www.joyceandjimlavene.com

Facebook – http://www.facebook.com/joyceandjimlavene

Amazon – http://amazon.com/author/jlavene

Twitter – https://twitter.com/AuthorJLavene

a Rafflecopter giveaway

https://widget-prime.rafflecopter.com/launch.js

Plateful of Murder

PLATEFUL OF MURDER large banner 640Welcome author Carole Fowkes!

Why do you write fiction?
I write fiction because I adore letting my imagination run wild. It’s the one time I don’t have to be a responsible adult.

carole fowkes author picPlease tell us about your newest release. What ideas or images inspired this story?
My latest release, Plateful of Murder, is the first book in the Terrified Detective series. It’s about a young woman, Claire DeNardo, who is afraid of many things but becomes a private investigator because she can’t find a decent job in her field of mass communications. In spite of being fearful, she finds herself drawn into solving murders. The idea for the series came about when a friend and I were discussing careers. My friend asked me how I’d feel about being a private investigator and my response was, “I’d be terrified.” Thus the series was created.

Do you have an ideal reader in mind when you write? If so, please describe that reader.
I hope my books appeal to a broad range of readers. If I had to describe an ideal reader, though, that reader would have a good sense of humor and appreciate irony. This reader would also love food, especially chocolate, because it’s what keeps Claire going.

Please describe your writing routine.
I usually start writing early in the morning and go until my stomach growls, which it does around 7 a.m. After breakfast I continue writing until late morning. By then, other aspects of my life need attention. During this time away from writing, I allow my words from the morning to “stew.” After dinner I pick up where I left off on my project and write for another couple hours. Also, I don’t plot ahead, preferring to “ad lib.”

What advice do you give to authors just starting their journey?
My advice is to keep at it. The more you write, the better you’ll get. Also, if at all possible, join a writers’ group. I’m part of one and attend every week. The advice and encouragement of other authors is of immense value and can push you through a tough scene or a rejection. That brings me to my last bit of advice. Rejections are part of the game and everyone receives them. If writing is your dream, don’t let one or 100 rejections cause you to give that dream up.

More about Plateful of Murder:
Cover artPrivate Detective Claire DeNardo is afraid of everything. Simple things like balloons, roller coasters, and hairpieces make her knees knock loud enough to be a band’s rhythm section. Unfortunately, the only job Claire can find is working for her Uncle Gino in his seedy detective agency. Until now, her cases have all been middle-aged men with trophy wives who needed watching. But Claire gets swept up in a murder case despite being afraid of conflict, bodily harm, and hurting anyone’s feelings. She enlists a jaded security guard, Ed, to help her. But when Ed is attacked and left comatose, Claire must stumble along by herself. Both the client who hired her and the handsome police detective want her off the case. When the wrong person is charged, it’s up to the terrified detective, to summon all the courage she can to find the true killer.

How to connect with Carole:

http://www.carolefowkes.com

https://www.facebook.com/carolefowkes

https://www.goodreads.com/carolefowkes

Grab your copy of Plateful of Murder here:
[amazon asin=B01ADH8JTS&text=Amazon]

a Rafflecopter giveaway

https://widget-prime.rafflecopter.com/launch.js

Welcome to Ogallala!

Picture for 10 15 15 blog post

This photo was taken in May of 1988 when I graduated from Northeast Missouri State University, now known as Truman State University. My first professional job out of college was as news editor for the Pleasant Hill Times. This year-long stint provided much of the inspiration for “Death Goes to the County Fair.”

Today, I join the ranks of mystery writers. My novel, “Death Goes to the County Fair” premiers.
When I put this book together, I had to include a disclaimer. Mine looks like this:
“This book is a work of fiction. All characters in this book have no existence outside the imagination of the author and have no relation to anyone bearing the same name or names. Any resemblance to individuals known or unknown to the author are purely coincidental. The town of Ogallala, Missouri does not exist. It is a fictional location.”
Most of that is true; there is no Ogallala, Missouri. Ogallala is a town in Nebraska that my husband and I drove through in May of 2014. I just loved the name of the town.
The main character, Joni Harte, is a recent college graduate who accepts the job of photographer and reporter at the Ogallala Gazette. She is a figment of my imagination. Well, sort of.
Almost 30 years ago, I worked as a journalist. My first job out of college was for a weekly newspaper in Pleasant Hill, a small Missouri town south of Kansas City. I did all of the things Joni does – I covered city-council and schoolboard meetings. I took photos of toddler beauty-contest winners. I had two amazing co-workers – one named Nancy and the other Ed. And like Joni, I was late for a parade and threatened with the loss of my job. I struggled to learn the intricacies of small-town life.
As in my novel, many of the town residents reached out and welcomed me. The small convenience store next door started stocking my favorite beer: Lowenbrau. Do they even still sell Lowenbrau? A couple I wrote a feature article about invited me to be a judge at their BBQ contest. And like Joni, I lived next door to my landlords: Barry and Ann, who fed me dinner on more than one occasion. Barry used to call me a “greenhorn.”
Any murders happen while I was the news editor for the Pleasant Hill Times? Nope. Not a one. House fires? Yes. Two. Including one house fire in which the old woman who lived there did not escape. I still remember standing by the remains of the house, sick with the sadness of it. That’s likely what inspired the book’s prologue.
What about Sheriff Cletus Butane? He is, I admit, my favorite character in the book. I don’t remember the Pleasant Hill police chief’s name in 1988, but I do remember he was gracious and patient with me. I know. I know. We’re not supposed to like our police, but I do. I like to think Sheriff Butane is a mix of Andy Griffith and Marshall Matt Dillon.
There was a small restaurant across the street from the Times office. It wasn’t named the Wagon Wheel though. That’s actually the name of a small restaurant that my aunt owned in Linneus, Missouri. And yes, her pies were amazing. My fictional protagonist, Joni, loves the banana cream, but I loved my great aunt’s chocolate cream pie.
Like Joni, I made a few mistakes, including writing a feature article about a disabled woman and not getting her guardian’s permission to publish it until the day we went to press. I also misspelled a name or two. This is very frowned upon in the journalism world.
No, sadly enough I did not drive an AMC Gremlin. I drove a 1970-something Pontiac Grand Am until the day a man rear-ended me and totaled it. Then, I bought a very old and beat-up Chevrolet Impala from my landlord. Like Joni, I longed for a car made in the decade in which I lived.
This book is the first in a mystery series. I have lots of ideas for sequels, including titles like “Death Goes Spelunking,” “Death Goes Antiquing,” and “Death Goes to College.” Lots of ideas. Now to turn those ideas into books. Therein is the challenge.
What’s next for me? Completing the two sequels to Celebration House. The trilogy will publish in 2016.
Meanwhile, I wait to hear what readers think about Joni Hart and Sheriff Cletus Butane. It’s my strongest hope they will love these two characters and the others who live in my fictional town of Ogallala, Missouri.
Hands and arms inside the cart: Next, learning how to manage Celebration House.

Chapter 1 of Death Goes to the County Fair – An Ogallala Mystery

mysterywritingDedication: This one’s for you, Aunt Mary Rose.

Chapter 1

July 30, 1988

The swaying of the small wooden boat rocked the dead man’s head back and forth on indifferent shoulders. His blue eyes bulged from their sockets in his mottled face. His thick tongue hung halfway out of his mouth.

“Turn this damn ride off!” Sheriff Cletus Butane shouted before spitting thick brown tobacco juice onto the dying grass.

A carnival worker scurried to the control panel of the Love Moat amusement ride and hit the off switch. With the power cut, the corpse stopped rocking. His ride was over.

Joni didn’t even think about what she was doing. The auto rewinder whizzed as she took picture after picture with her Nikon 35mm camera.

Sheriff Butane narrowed his eyes and glared at her. Joni ignored him. As the sole reporter and photographer for The Ogallala Gazette, Joni felt that she’d taken more than her share of photographs of prize pumpkins and toddler beauty-pageant winners. Now, at last, a news story.

“Joni, you do know I could confiscate that camera, don’t ya?”

This did get her attention. She jerked her head up and stared at the huge bulk of a sheriff. On this July morning in Ogallala, Missouri, the thermometer read 95 degrees with humidity to match. At nine in the morning, the sheriff was already drenched in sweat. Dark circles underneath the arms of his uniform gave testimony as to why Sheriff Butane spent most of his work day in his air-conditioned office.

“Freedom of the press, Sheriff,” Joni answered.

“Un, huh. We’ll just see about that, missy. Earl! Where the hell is the coroner?”

“On his way, Sheriff,” said the lone deputy, Earl Tatum. Everybody, except the sheriff, called him Tator because his head was shaped like, well, a potato.

A crowd began to gather around the carnival ride. Early morning fairgoers mingled with the carnival workers who huddled around their boss, Ben Boggs. He explained to the sheriff what he’d found this morning when he arrived at the Love Moat ride.

“I knew something was wrong, Sheriff, when I counted the boats and saw two were missing,” Boggs said. “I thought maybe one of my workers forgot them inside the ride, so I turned it on, and sure enough, here come the boats. But that came too,” he said, pointing at the corpse.

“I want to talk to the carny who closed down this ride last night.”

“That’d be José. Go get him,” Boggs barked.

One of the workers left the crowd and ran toward the lot full of old campers and Army surplus tents where the workers lived during the 10-day event.

The sheriff swiped the sweat from his face one more time before yelling, “Move the hell back, people. Mercy! I can’t breathe. Earl!”

“Right here, sheriff.”

“Get on the horn and find out where the coroner is.”

“Yes, sir.”

Joni continued to circle the boat where the dead man lay, snapping pictures. Bringing her camera down, she saw a multi-colored 2-foot long piece of thin nylon rope encircling the dead man’s neck. She stepped closer and took a picture of it. Then Joni stepped back and snapped a frontal picture of the corpse.

“You know Jerry won’t run that picture on the front page of the Gazette, don’t ya’, Joni?” the sheriff asked.

She looked up at the him. Son of a biscuit! Butane was right. Jerry wouldn’t.

“Un, huh. Just sinking in, is it?” the sheriff asked. “You may be the college graduate, but I’m the one who knows how things work in Ogallala.” He accentuated this last word with a splash of the tobacco juice near her tennis shoe. “So go on. Take all the pictures you want. I think that’s a fine idea. It saves me the money of having someone else do it. And then, after we get this John Doe on a stretcher and covered with a clean white sheet, I’ll stand next to him, and you can take my picture. ‘Cause that’s the one Jerry’s gonna print on the front page, and we both know it. Don’t we, Joni?”

“Sheriff, Doc Moreland just got here,” Tator yelled.

The crowd parted, and an ancient thin stooped man with glasses perched on his forehead ambled onto the scene. Behind him, two local ambulance volunteers pushed and pulled a stretcher through the same parting of the crowd.

“Sheriff,” the coroner said in greeting.

“Doc,” the sheriff answered. “Sure is nice of you to join us this morning. Damn sorry we had to interrupt your golf game.”

The coroner glowered at the sheriff before he growled, “I was making rounds at the hospital, Butane, and you know it. Well, what have we here?”

Joni watched as the deputy and the ambulance workers pulled the boat into the concrete docking area and lifted the corpse out. They laid him on the ground, and the coroner, on creaking arthritic knee, bent down to examine him. After donning white latex gloves, the coroner began his cursory inspection. The multicolored string Joni had noticed earlier was embedded deep into the skin of his neck.

The coroner gently unwrapped the cord from the man’s neck. A thin maroon-colored line marked its success.

“Well, shouldn’t be too difficult to determine the cause of death,” he said, looking up at the sheriff. “That only leaves the question of who this is and more importantly, why he died.”

The mystery of writing a good mystery

For the past few months, I’ve been toiling away on my first cozy mystery, Death Goes to the Ogallala County Fair.

mysterywritingI read the most popular cozy mysteries. I spent way more time than I should perusing websites, like http://www.cozy-mystery.com/. I took an online course in how to write a mystery novel with Steve Alcorn. I’ve been busy, sometimes so much that more often than not, I failed to make my daily quota of 1,000 words. And here it is, one week from the deadline when I’m supposed to send the completed manuscript to my editor, Les Dunseith, and the book is maybe 50 percent finished. This is not good.

So, what’s the problem? Well, I thought it was because I don’t enjoy killing off people, specifically my characters. But to be honest with you, all three men (and yes, they are all men) who die in my book aren’t nice people. The world is perhaps better off now that they are gone.

I thought maybe it’s because my main character, Joni Harte, isn’t as talkative as other characters I’ve written about. If you’ve read my novella, A Beautiful Day in Alaska, then you know Charlie Land. Well, Charlie is a chatterbox. He talked to me (and still does) a lot. Or if you read Bone Girl, then you know Josey Miller. I’m closer to Josey than my own children. That’s how often she and I converse.

The main character in my mystery, Joni, has a lot of insecurities (she’d hate me for telling you that) and a secret or two. Painful ones. At least to her. So, she’s been more reluctant to talk with me. But, we’re making progress. I know her deep, dark secret and discovered some important details about her, like that she drives a 1976 AMC Gremlin and has an older over-achiever sister named Monica who is super annoying.

I know what I don’t like in a mystery novel. I don’t like it when the author doesn’t give any clues, and then somehow, when the book is 85% done, oh, here’s the villain. It was him all along. Really? Wow. Okay. Who knew?

Or, also my least favorite, I don’t like it when at the end, the antagonist turns out to be crazy. He or she did all of these evil deeds because they were mentally ill. No other reason possible. I don’t like that. I feel like it’s a cheap way out. Like, the author says, “Oh, I’ve got to make my deadline, so the murderer is Professor Plum, in the library, with the candlestick, because he’s a paranoid schizophrenic.” Fail.

So that’s what I don’t like in a mystery. What do I like? I like it when the main character (and there should only be one) has fun, quirky friends. I like mysteries that take place in a small town. Maybe I should start there, working with the things I do like:

  • I want my book to take place in a small town where the reader would want to live.
  • I want my main character to have warm, funny, forgiving friends who I would want in my life.
  • The villain – and I know the identity of that person – is not crazy. She (oops!) has a specific purpose, and for her, the end always justifies the means.
  • I want to grab my reader. I want to hold onto them so tightly that putting my book down is an impossibility. I want to own my reader. (That kind of sounds weird, doesn’t it?)

Okay. Those are my goals. But there’s one other thing very different about writing a mystery than the other four books I’ve written: I have to keep secrets. And I stink at that. No, I do. I cannot keep a secret to save my life. I’m as obvious as the nose on your face. But if I give away my secrets, then I’ll lose my reader, right? Ugh! No wonder I’m not done yet.

Okay. Enough excuse making. I must write 1,000 words today. Now. And send an email to my editor, asking to push that deadline back two weeks.

Hands and arms inside the cart: Next: Baskethound Books proudly presents the first chapter of Death Goes to the Ogallala County Fair.